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Just a Plain Black Baseball Cap

September 6, 2026/by Jeffrey Ian Ross

It’s just a plain, structured, medium-crown, black baseball cap.

No logo, no team name, and kind of boring.

And that’s the point.

But let’s deconstruct this a little.

It has to be black, the same way my knitted longshoreman’s cap is black.

It also can’t be boxy, narrow, have a large visor, or be made of felt or foam. I don’t like ones with plastic mesh because they give off a trucker or cracker vibe. And foam has a hipster aesthetic.

I’d rather get a sunburn or heat stroke than wear a Von Dutch one. 

An overly large-brimmed hat is too ghetto. One with the brim angled to the side is trying too hard.

And what’s with keeping the round gold sticker on the brim?

Do I need to tell everyone who cares to look that I just bought a new baseball hat?

Not only are the shape, material, and color important, but so is how you wear it.

Unlike some of my male twenty-something students, I don’t wear my cap backwards unless there are severe winds.

Even how high it sits on your head is a decision, not an accident.

I guess I have a lot of rules about baseball caps.

I don’t have a favorite sports team, city, or country. And I don’t like wearing a brand name blazoned across my forehead.

And most importantly, I like to remain anonymous when I’m out in public and not advertise my loyalties through what I wear.

Wear a New York Yankees hat outside the United States, and people will assume you’re American.

I want to fly below the radar.

No team. No city. No country.

Just a black hat.

And yet I have lots of opinions about what that hat should look like.

I didn’t really think about all these rules until a couple of years ago.

We were in Turin, Italy, and I thought I had lost my baseball cap.

I spent a considerable amount of time retracing my steps to find it. When I couldn’t, I started looking for a replacement.

Not because black baseball caps are hard to find. There are thousands of them.

The problem was finding one I wanted to wear.

Luckily, my wife found my cap where we were staying.

That’s when I realized how many rules I had for something as simple as a black baseball cap.

The cap cost about twenty dollars. It was replaceable.

But I wasn’t willing to buy just any black baseball cap.

You would think I was choosing a house, a partner, a career, or some other big-ticket item.

After my wife found the hat, I took a handful of photos of it and the manufacturing label, in case I lost it again.

Which I did.

This summer, I lost it on the floor of a rental car in Bordeaux.

Luckily, I had the photos.

So, once again I started looking for the same (not a similar) one.

It turns out that the only place that appears to manufacture and sell it is in Argentina.

And so starts another adventure.

That’s another story.

Most of us probably have a favorite shirt, jacket, or pair of shoes. Something that looks completely unremarkable to everyone else but somehow isn’t replaceable to you.

You may not even realize you have rules about these things until something disappears and you discover that “almost the same” isn’t good enough.

And yet, apparently, there is only one black baseball cap in the world that’s mine.

https://jeffreyianross.com/wp-content/uploads/Screenshot-2026-09-06-at-9.13.07-AM.png 1114 2060 Jeffrey Ian Ross https://jeffreyianross.com/wp-content/uploads/jeffrey-ian-ross-logo-04.png Jeffrey Ian Ross2026-09-06 13:02:552026-09-06 13:23:09Just a Plain Black Baseball Cap

INTRODUCTION TO CONVICT CRIMINOLOGY Now Available in Portuguese

August 23, 2026/by Jeffrey Ian Ross

The Portuguese edition of  Introduction to Convict Criminology (2024) comes as Brazil’s prison population is climbing again after a COVID-era dip. Published as Introdução à Criminologia dos Condenados by @editoradplacido, the book brings Convict Criminology to a growing Portuguese-speaking audience at a time when Brazil’s prison system faces enormous challenges. There is a relatively small but growing group of Brazilian scholars, activists, and practitioners who are engaging seriously with CC.

As the Beatles put it, I get by with a little help from my friends. The same was true when Francesca Vianello and I edited Convict Criminology for the Future. It was translated into Portuguese and published as A Criminologia dos Condenados e o Futuro (2021), and the same is true of this book.

Special thanks to @katheamartins and @delucialucas for their excellent translation, and to @SergioSalomaoshecaira for writing an engaging preface and coordinating the project. I’m very grateful to all three for helping bring the book to a Portuguese-speaking audience.

Brazil is, in many respects, an epicenter of contemporary prison problems, a subject I discussed in an earlier blog post. Since then, things have not gotten better. In fact, the number of people held in Brazil’s correctional system has continued to rise, although the pattern has not been one of uninterrupted growth.

In 2021, according to SENAPPEN (Brazil’s National Secretariat for Penal Policies), Brazil had approximately 680,000 people incarcerated. By the first half of 2025, that number had risen to nearly 706,000 people held in prisons and other custodial facilities. At the same time, Brazil’s broader correctional population (including people serving sentences under house arrest, with or without electronic monitoring) had reached 941,752. By the end of 2025, the number physically incarcerated had risen further to 727,301, while the total correctional population reached 960,976.

Overcrowding remains a major problem. In 2021, Brazil had approximately 468,000 prison places for nearly 680,000 incarcerated people, a deficit of about 212,000 places. More recent SENAPPEN data similarly show a substantial gap between the number of people held in physical cells and the system’s capacity.

Brazil has the world’s third-largest prison population, behind the United States and China. Its trajectory, however, is more complicated than a simple story of continuous growth. Incarceration fell substantially during the COVID-19 period and remained below its 2019 peak through 2023, before beginning to rise again.

These conditions make Convict Criminology particularly relevant to Brazil. At its core, CC seeks to bring the knowledge and experiences of people who have experienced imprisonment into criminological scholarship and debates about prisons and punishment. A Portuguese-language edition of Introduction to Convict Criminology (Introdução à Criminologia dos Condenados) makes those ideas more accessible to Brazilian scholars, students, and others interested in understanding and improving the country’s correctional system.

I hope the Portuguese edition will contribute to the growing conversation in Brazil about prisons, punishment, and the role that people with lived experience of incarceration can play in understanding and addressing these problems.

https://jeffreyianross.com/wp-content/uploads/IMG_1879-1.jpg 377 530 Jeffrey Ian Ross https://jeffreyianross.com/wp-content/uploads/jeffrey-ian-ross-logo-04.png Jeffrey Ian Ross2026-08-23 11:09:412026-08-23 11:09:41INTRODUCTION TO CONVICT CRIMINOLOGY Now Available in Portuguese

Street Culture, Book by Book

August 9, 2026/by Jeffrey Ian Ross

Search Amazon using the term street culture, and you’ll find countless books about gangs, graffiti, street art, policing, homelessness, drug markets, skateboarding, street fashion, or urban crime, but relatively few that explicitly examine street culture as an overarching concept.

Why is that?

Part of the reason is that researchers tend to study one aspect of street culture rather than the broader phenomenon.

Another is that street culture has primarily been explored in journal articles rather than book-length studies.

Finally, many authors have produced classic works on street culture without ever using the term itself. Instead, they write about “street life,” “urban subculture,” or, in Britain, “road culture.”

As a result, identifying the most important books on street culture requires looking beyond titles and labels to the substance of the scholarship.

The books below are the ones that do it best

Street Corner Society (1943), byWilliam Foote Whyte

I would begin with Whyte’s Street Corner Society. Although he never used the term street culture, his street ethnography remains one of the foundational studies of urban street life. Based on participant observation in Boston’s Italian-American “Cornerville,” Whyte demonstrated that what outsiders often dismissed as social disorder was actually a highly organized system of informal relationships, leadership, reciprocity, and neighborhood life. By today’s standards, it is difficult not to view this as one of the earliest studies of street culture.

Tally’s Corner: A Study of Negro Streetcorner Men (1967), by Elliot Liebow

Liebow’s Tally’s Corner shifted attention to the everyday lives of unemployed Black men in Washington, D.C. Rather than portraying his subjects as pathological or culturally deficient, Liebow showed how street-corner life represented a rational adaptation to unstable employment, poverty, and limited opportunities.

In Search of Respect: Selling Crack in El Barrio (1995), by Philippe Bourgois

Bourgois’ ethnography of East Harlem is one of the first major books to place the concept of street culture at the center of its analysis. Bourgois argues that street culture emerges among marginalized residents as an adaptive response to exclusion from the mainstream economy and institutions. Rather than romanticizing or condemning the crack economy, he explores how structural inequality shapes identity, work, masculinity, family life, and survival.

Code of the Street (1999), byElijah Anderson

Building on ideas first introduced in his previous book StreetWise (1990),  Anderson’s Code of the Street has become one of the most influential theories in urban sociology and criminology/criminal justice. Anderson argues that many disadvantaged neighborhoods develop an informal code governing respect, reputation, and the use of violence. The book transformed the discussion of street culture by identifying the moral rules that regulate social interaction under conditions of concentrated disadvantage.

Sidewalk (1999), by Mitchell Duneier

Duneier’s Sidewalk broadened the study of street culture beyond violence and gangs. Through years of participant observation among book vendors, panhandlers, and scavengers in New York City’s Greenwich Village, Duneier demonstrated that the marginalized people he studied create their own informal social order and often contribute positively to the functioning of public space. His work demonstrates that street culture encompasses far more than crime.

Street Culture in Chengdu (2003), by Di Wang

This book offers a very different perspective by examining street culture historically rather than ethnographically. Drawing on archival and historical sources, Wang demonstrates that street culture is not simply a contemporary phenomenon associated with crime or youth, but a historically connected to urban public life. His work also reminds us that street culture is not exclusively a Western phenomenon.

Street Capital: Black Cannabis Dealers in a White Welfare State (2009), by Sveinung Sandberg and Willy Pedersen

This study introduced the influential concept of street capital. Drawing on Pierre Bourdieu’s theory of capital, the researchers argue that individuals involved in street life accumulate forms of knowledge, reputation, toughness, and social connections that possess value within street settings, even if those same resources have little value in mainstream society. Their work significantly advanced the theoretical understanding of status and identity in street culture.

Understanding Street Culture: Poverty, Crime, Youth and Cool (2015), by Jonathan Ilan

Ilan’s Understanding Street Culture is the first book-length theoretical synthesis devoted specifically to street culture itself rather than to a single neighborhood, city, or group. Ilan draws together scholarship from Britain, North America, and elsewhere to argue that street culture is a global phenomenon shaped by social exclusion, identity, style, consumption, and “cool,” treating cool not as surface style but as a source of status and identity for young people otherwise shut out of mainstream markers of success.

Routledge Handbook of Street Culture (2021), by Jeffrey Ian Ross

My own edited volume differs from the earlier books because it is not an ethnography of one place or one population. Instead, it is interdisciplinary in the sense that it brings together scholars from criminology, sociology, anthropology, geography, history, architecture, and cultural studies to examine street culture from multiple perspectives. The goal was to define and critique the field more clearly and to demonstrate that street culture extends well beyond crime, gangs, graffiti and street art, and violence to include language, economies, music, fashion, skateboarding, homelessness, policing, and other important aspects of urban life.

Looking Back

Taken together, these books illustrate how scholarship on street culture has evolved over the past eighty years. Early ethnographers documented how people organized everyday life on street corners and in neighborhoods. Later researchers explained the norms, identities, and forms of capital that shape street worlds, while more recent work has broadened the concept to include public space, historical development, informal economies, and global comparative perspectives.

Despite this progress, scholarship on street culture remains limited. Early work suffered from a kind of tunnel vision, focusing disproportionately on urban street crime and subcultures rather than the fuller range of everyday street life. The field also sits at the intersection of criminology, sociology, anthropology, geography, urban studies, and history. This interdisciplinary character is both its greatest strength and possibly one of the reasons it has developed relatively slowly. No single discipline has claimed ownership of the concept.

The limitation holds geographically too. But work on street culture outside North America and Britain is already emerging, and I hope it continues, broadening the study of street culture beyond the Western world and exploring how street cultures emerge, evolve, and differ across cities and societies globally.

Photo Credit:

Photographer: Danny Lyon

Title: Three boys + A Train graffiti, Brooklyn 1974

https://jeffreyianross.com/wp-content/uploads/Screen-Shot-2026-08-08-at-7.42.04-AM.png 388 600 Jeffrey Ian Ross https://jeffreyianross.com/wp-content/uploads/jeffrey-ian-ross-logo-04.png Jeffrey Ian Ross2026-08-09 12:00:142026-08-09 12:00:14Street Culture, Book by Book
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